Kelli A. Wilkins
The Making Of… “The Viking’s Witch” (Part 1)
I’m pleased to announce the release of my latest historical romance. The Viking’s Witch is set in Celtic Scotland and blends a sensual love story with adventure and paranormal elements.
In this blog, I’ll discuss how the book came about, the research involved, and the violence that takes place in the story. (Yes, even though it’s a romance, everything’s not all hearts and flowers.) In Part 2, I’ll talk about creating the characters, developing Odaria’s magic “witch” powers, and more.
The Viking’s Witch is a traditional historical romance with paranormal elements set in Scotland in 803 A.D. The main character, Odaria, is what they called a witch back then—nowadays we’d call her a psychic and a healer. Here’s the plot summary:
The Viking’s Witch
About to be burned at the stake by her fellow villagers, Odaria does what any betrayed witch facing certain death would do. She calls down a curse. Within seconds, rampaging Norsemen raid the village, capturing everyone except her.
But her reprieve is short-lived, and Odaria lands in the clutches of the Norse leader Rothgar. Can she remain true to herself and fight her growing attraction to this domineering man, or will she fall under his influence and be used for his ambitions?
After Rothgar witnesses Odaria’s powers firsthand, he strikes a bargain with her. The raven-haired beauty will use her magical abilities to help him with his quest in exchange for safe passage off the isle. But can this cunning woman be trusted, or is she using him to exact vengeance on her village?
Together they must fight bloodthirsty villagers, battle a mutinous band of Norsemen, find a missing Norse ship, and learn to trust each other…before time runs out.
Interviewers and readers have asked what my inspiration was when I was writing the book, and are curious about how much research I had to do to create the unique characters and detailed setting.
Like many of my books, the idea for the story came to me out of the blue. One day, the entire opening sequences popped into my head and I knew I had to start writing. At the time, I had the basic plot (Viking warrior falls in love with Celtic witch), but I wasn’t sure about most of the details, like the character names, their backstories, and the subplot. All of that came later, along with the secondary characters, Brennan and Nordskog. (I’ll talk more about them in Part 2 of this blog.)
Scotland is a beautiful place and I’ve always wanted to set a book there. (I still may write another historical set in the Highlands.) Having the story take place on the remote Orkney Islands added a sense of urgency and tension to the plot.
In a sense, Rothgar and Odaria are “trapped” on the island and are forced to deal with a pack of angry villagers and other Norsemen. The action is condensed into a few days on a very small island, so there’s really nowhere for the characters to go. They’re forced to work together in order to get off the island—and survive.
Before I wrote a word, I had to do a lot of research on where to set the story. I knew the book would take place in Scotland where the Vikings traveled in their early years of exploration, but I didn’t want it to be a populated location. Once I decided on the Orkneys, I had to pick which island to set the story. (There are 70 different islands, but only 20 are inhabited.)
I also had to research what life was like in that time period for Odaria and Rothgar. (What kind of clothes did they wear? What food did they eat? How did Norsemen travel so far? What were their ships like?) Odaria and Rothgar come from different backgrounds and technically would have been speaking different languages, so I had to blend their two cultures together in a way that flowed with the book.
After I got a feel for what everyday life was like for each of them, I weaved the details into the story. For example, Rothgar’s Norse background intrigues Odaria, and she is curious about their clothes, customs, food, how they travel, etc. Having Rothgar show her how he lives was a good way to introduce readers into the culture.
And of course, if you were living back in 803 with bands of invading Norsemen and crazy villagers, you could expect some measure of violence. Readers might think that there’s no place for any violence in a romance, but I think that type of realism (when kept in check) enhances the story.
In 803, life was completely different from how we live now—especially on a remote island. People got hurt, took sick, and died. The Viking’s Witch features a violent man (Brennan) and a group of Norsemen with terrible reputations, so including some violence in the story is necessary to move the plot along—while also helping the reader get deeper into the minds and lives of the characters.
I didn’t cringe when I wrote the “gritty” scenes; I was happy to include them. I like history and it drives me crazy when people in 1500, 1791, or 1870 are perfectly clean and neat, have perfect teeth, and look like they stepped out of a beauty salon. In The Viking’s Witch I included enough details to bring the story alive, yet showed how some degree of conflict was necessary for Rothgar’s and Odaria’s survival.
I hope you enjoyed Part 1 of this “Inside Look” at The Viking’s Witch. Next time, I’ll delve more into the characters and discuss Odaria’s magic.
Order The Viking’s Witch here:
All other platforms: https://books2read.com/u/4EQe0o
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